Spent the weekend recovering from the “After Party” but I wanted to mention that the Hollywood On Lake Michigan, 2nd Edition Launch Party at Centuries & Sleuths was a rollicking good time!

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Arnie and I dropped much Filmic Science and History upon the heads of those in attendance.

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Augie did his usual wonderful and gracious job of hosting a book launch event. Here he is posing with myself and Arnie “Three Books” Bernstein (as he will be known for the rest of the year!).

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Author Christopher Lynch dropped by to hear Arnie and I speak and to hip us to an old Jimmy Stewart movie that filmed at Midway Airport in the 1940′s and which Arnie and I were unaware. Here he is holding a few of his titles and posing with me and old “Three Books” Bernstein.

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Here’s the fabulous window display that Augie created for Senor Tres Libros and myself. Between the Printers Row Lit Fest Panel and this awesome event I now fully feel like I am a REAL AUTHOR. It was truly my Book Mitzvah!!!

Kartemquin Korner is a weekly-ish segment spotlighting a particular selection from Kartemquin Films, the finest documentary production company this side of the spiral arm of the galaxy. This week’s installment:

The Inquiring Nuns (1968)

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Who wouldn’t want to answer a question from these two smiling nuns? Not surprising that they both left the order within a few years of doing this film- neither one looks like they would enjoy tormenting a child!

 

Co-Directed by Kartemquin founders Gordon Quinn and Jerry Temaner, The Inquiring Nuns was one of the collective’s first projects. It features music by a very young Phillip Glass and was filmed on Kartemquin’s now legendary first camera. The Inquiring Nuns was inspired by a French film, Chronicle Of A Summer (1960), which itself inspired the cinema verite movement- which in turn led to reality television and the current glut of shows about worthless yet photogenic proto-humans (must take the bad with the good I guess).

 

The Inquiring Nuns features two young nuns (Sister Marie Arne and Sister Mary Campion) traveling around various circa 1968 Chicago locales (the Art Institute, the MSI, a supermarket, outside churches etc.) and asking people the same question posed by its French inspiration, “Are You Happy?”

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This interview also provides an insight into the fact that one used to be able to get a steak in this town for $1.29!

The responses range from the glib to the profound and offer a fascinating glimpse into 1968 Chicago/USA and the human condition in general. At first the project seems like a lark, but becomes increasingly deep as more people open up to the pair of earnest inquisitors. It doesn’t hurt that the filmmakers found the most adorable nuns since Sally Field strapped on her flying habit to ask their question- a far cry from the stern, yardstick wielding Dogmafascists which terrorized me in my youth!

 

Some segments offer hilariously unintended insights into the folks being interviewed, like a couple who were obviously seeing each other on the sly (“Is this going to be shown anywhere?” they ask nervously). Others offer a glimpse more into the relationship dynamics of the couples or the internal lives of the individuals answering the question rather than the question itself.

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One wonders what became of this young boy who emphasized one of his father’s qualifying remarks by forcefully intoning “I am happy TODAY!!!”

 

As one can imagine, the war in Vietnam was foremost on the minds of many interviewees, as well as the social strife of the era in general- but in many ways The Inquiring Nuns points out the cyclical nature of societal trends and how little people really seemed to have changed in the past 50ish years.

 

The Inquiring Nuns works both as a glimpse into the past and as an insight into certain permanent aspects of the human condition. It is definitely worth a look by contemporary audiences- and is also a project that needs to be repeated {this time with Buddhist nuns}!

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Chicagoans say the darnedest things when asked open-ended philosophical questions by a pair of inquisitive sisters.

 

Christopher Borrelli of the Chicago Tribune did a marvelous piece about The Inquiring Nuns which features more of the history, back story, and subsequent influence the film had on society and culture (although it’s hidden behind a pay wall so you will have to register):

http://www.chicagotribune.com/entertainment/chi-borrelli-happy-20130301,0,5564951.column

Stop on by Augie’s Garden of Bibliographic Delights and say hello!!!

 

 

 

Hollywood On Lake Michigan, 2nd Edition Launch Party

Friday, June 14—— 7PM

Centuries & Sleuths Bookstore

7419 Madison St.

Forest Park, IL 60130

 

If you have never been to Centuries & Sleuths (or made the trek out to Forest Park) you will be in for a lovely treat! Augie the proprietor is a wonderful fellow who reminds me of a literary version of another famous Augie- the character that Harvey Keitel played in the great pair of films; Smoke and Blue In The Face. Although this Augie deals in fine books and not fine cigars, his establishment has that same feeling of openness, camaraderie, and a love of life, laughter and community. If you love books, history, and the World Of Ideas you will definitely feel as if you have come home. Although I don’t think this Augie takes a picture from the same corner at the same time every day!

And if you have never been to Forest Park, you will soon discover that one of Chicago’s coolest neighborhoods is actually a suburb! The area around Centuries & Sleuths is chock full of awesome bars, restaurants and other sundry establishments; many of which are extremely fond of having live music and other performances.

In fact, considering the small size of Centuries & Sleuths and the large number of people that may show— if the soiree is too crowded when you arrive just stroll around and check out the hood for a while and return a little later to the store. Arnie and I will be holding forth, answering questions and signing books all night, so lots of folks will be filtering in and out throughout the evening. Once we finish closing down Augie’s we will likely adjourn to one of those fine establishments!!!

Oh, and don’t forget to buy a ton of books while you are in the bookstore! Although if you love mysteries, histories, police procedurals, and detective novels as much as I do it will be all you can muster not to just back your car up to the place and fill the trunk!

So please stop on by and say hello! It’s gonna be a VERY fun time!!!

 

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When you see this handsome fellow you will know you are in Book Heaven!!!

 

 

My Adventure In Authorland continues apace with this new wonderful honor: I have been invited to join The Society Of Midland Authors!!!

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Out of all the fabulous things that HOLM 2 hath wrought, this is the one honor which my late  Mother would have been the most impressed by.

 

This is a real old school “Chicago Renaissance” kind of thang. The Society Of Midland Authors was founded in 1915 by a group which included Clarence Darrow, Edna Ferber, and Vachel Lindsay. Jane Addams, Edgar Lee Masters and Lorado Taft were among the earliest members to join. Current members include bestselling authors like Scott Turow, Stuart Dybek, and Jane Hamilton; noted historians such as Anne Durkin Keating (OMG!), Melvin Holli, and Dominic Pacyga; and a “Who’s Who” of Chicago writers, journalists, publishers, and intellectuals.

I will be extremely excited and intimidated as hell when I attend my first meeting at The Cliff Dwellers Club (that’s right, baby- THE FREAKING CLIFF DWELLERS CLUB!!!).

Huge thanks to Arnie Bernstein for nominating me and SMA officer Thomas Frisbie for being so kind and accommodating to me. Although the whole part about new inductees sacrificing a goat whilst making a blood oath to The Muse Of Fire over the bones of Hamlin Garland was apparently a “Rookie Prank!”

Big thanks to everyone who made my Printers Row Lit Fest appearance such a HUGELY fun time!!! From my fellow panelists to the folks in attendance- and particularly the army of bright and helpful young folks who are the engine that makes that huge machine run.

It was an incredible and somewhat surreal experience, like being called from the mud pit at Lollapalooza to go up onstage and jam with the band.

Thanks again to everyone who made it possible!!!

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Yes, this day has finally arrived!!! I appear with Arnie and Robert K Elder at Printers Row Lit Fest at 1PM today.

Those of you who clicked for tickets need to show up at least 20 minutes in advance to get your seat in the room- and those who missed out on the “ticket clicking” can just wait in line and you will be seated once all the ticket holders have been seated and the 20 minutes before presentation deadline has passed.

I am so looking forward to seeing you all!!!

 

 

Hooray, Hooray!!! HOLM 2 Drops TODAY!!!

The long and winding path has finally reached its end.

And another one begins:

I managed to get some extremely heavy cats to play with me on a video to commemorate this historic book launch. Seasoned Chicago music fans will immediately recognize them.

 

 

 

 

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Now’s the time to get those tickets.

 UPDATE: TICKETS HAVE SOLD OUT!!!!

THANK YOU, CHICAGO!!!!!!!!!!!!!!!!!!!!!!!!

 

You are now able to click for your free tickets to see Arnie Bernstein, Robert K Elder and I drop some filmic science upon the Printers Row Lit Fest on Sunday, June 9 at 1PM. DO IT NOW BEFORE THEY ARE GONE!!!

http://www.eventbrite.com/event/6727946469#

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This is the hot ticket of the Fest! Way hotter than Sting. Tiny bit hotter than Judy Blume. ;-)

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I may stand out a little amongst the sophisticated stylish crowd at Printers Row Lit Fest.

 

I had been waiting until the details were finalized before I posted about this, but now I am shouting it from the proverbial highest roof!

 

Printers Row Lit Fest Panel Discussion

Michael Corcoran, Arnie Bernstein, and Robert K. Elder

Sunday, June 9. 1PM
University Center Multimedia Room
525 S State St.

Tickets are required and will be available May 27th.

Moderator: Chicago Tribune Columnist Nina Metz

 

Of course, that may not be the order in which the Printers Row folks have it billed ;-)

Robert K. Elder is a brilliant journalist, author and film critic who also has a book coming out with Chicago Review Press in June entitled The Best Film You’ve Never Seen: 35 Directors Champion the Forgotten or Critically Savaged Movies They Love.

He and Arnie will provide the gravitas and I will be bringing the bluster. We will discuss some overlooked and/or forgotten films and directors.

This is seriously starting to seem surreal to me. I am half expecting my third grade nun to suddenly walk into the room or for me to open my back door and have it lead to a red-curtained room with a dancing, reverse-speaking dwarf.

For those few of you who may not know, Printers Row Lit Fest is kind of the Lollapalooza of the Midwest literary scene. Scores of hugely famous (e.g. Judy Blume) and unknown (e.g. Me) authors, hundreds of publishers, and thousands of bibliophiles converge on the South Loop Area for an immense celebration of the printed word.

I would have been thrilled just to be appearing in a little tent along Dearborn Street, but to be indoors in the lovely air-conditioned confines of University Center is just about as good as it gets for the likes of me. Damn, this may even be recorded and televised on CSPAN! So I will perhaps be able to tell myself (instead of some public policy wonk) to “shuuut the hell up” while absently flipping through channels on a Saturday afternoon.

Tickets are free but on a “first click- first served” basis, so start your last week in May off by ordering some before you have your morning porridge.

 

Kartemquin Korner is a weekly-ish segment spotlighting a particular selection from Kartemquin Films, the finest documentary production company this side of the spiral arm of the galaxy. This week’s installment:

The Last Pullman Car (1982)

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The Last Pullman Car goes back to the Pullman strike of 1894 and then details the labor movement in the US in order to explain the state of labor relations at the Pullman plant in 1981.

 

Ok, I am not going to lie to you, my fellow Kartemquinites. This is a tough one. Watching a documentary about a group of heavy industry workers in the US heartland trying to save their union and their jobs at the beginning of the Reagan Era Corporate Globalization and Union Busting Program is somewhat like watching a documentary about gay Jewish performance artists in Berlin in 1936- you know it isn’t going to end well— either for the documentary subjects or for any of their contemporaries.

However, it is really a must-see for those who wish to understand how we got to the point where we are now in terms of the global stranglehold that multinational conglomerates have on humanity.

The Last Pullman Car documents the struggles of Pullman-Standard Passenger Car Works employees on the far south side of Chicago from 1979 to 1981 as they unsuccessfully fight to prevent their plant from being closed. United Steel Workers of America Local 1834 President John Bowman and the workers at the Pullman plant battled mightily and bravely to keep their plant open but were swamped by a tsunami of historical forces; short-sighted industrial policies, government abetted union busting, the rise of multi-national conglomerates, industrial competition from Germany and Japan, the gutting of mass-transit funding throughout the US, the withering of national union power overall, the flight of US industrial plants to other countries, and the brutal recession of the early 1980’s.

After an opening segment which introduces the workers and their quest, producer/director/writing team Gordon Quinn and Jerry Blumenthal go all the way back to the bitter and violent Pullman Strike of 1894 and then detail the subsequent industrial union movement in the US in order to illustrate how these forces came into being.

The Pullman Strike of 1894 quickly expanded into a national rail strike which was then brutally crushed by the US government at the behest of George Pullman and the Rail Trust. This only fueled the overall push for national unionization, which flowered in the early 20th Century and by the 1950’s had brought the industrial middle class of America into the highest standard of living that rank and file workers had ever known.

Of course the forces which seek to control workers and maximize corporate profits did not take this situation lying down, and there was a major push to roll back union gains as the 1950’s progressed. It is here where the highest echelon of union leadership made a grave tactical error, seeking to hold on to individual wages and benefit structures instead of trying to use their power to change society and government on a “macro” level such that corporations did not have such an undue influence on them. Basically winning several short term battles but losing the overall war, as US industrial monopolies steadily morphed into the multinational conglomerates of today.

Pullman was one of the first companies to do so, diversifying into other industries and expanding their global scope until the rail car making business was just a tiny fraction of their overall profit scheme. Once this was accomplished, Bowman and his cohorts were defeated before the battle had even begun. By 1979, the car manufacturing plant was so insignificant to the Pullman Corporation (who obviously wanted to be rid of it anyway) and the rail car industry was in such dire straights that threatening to shut the plant down with a strike was like threatening to kill a hostage with terminal cancer that your adversaries wanted dead to begin with.

This is something that the workers did not understand until it was much much too late; and it is heartbreaking to watch them struggle with this realization as they are sold down the river by their government and their national union (although by that point in the process the legislators and union brass aren’t really lying when they say their hands are tied). Simple, decent folks so imbued with a strong moral code that they were virtually unable to comprehend the fact that their opponents had no morality whatsoever (and essentially saw them as worthless) and so naïve about the reality of their position that they had no idea how badly the cards were stacked against them. At one point, after the national Steel Workers union forces them to shut down their local, Bowman says “If this is their answer to deal with plant closings in this country- the working man is in trouble.” This statement (for me) is pretty much the crux of the entire film.

The Last Pullman Car also begs extremely thorny questions which the world is still trying to answer: How can a community, city, or nation keep a company that wishes to move its factory from leaving without totally trashing the concept of private property and free market? Are these concepts as important to a free and just society as we have been led to believe? Do people have a “right” to a well paying job and is it the government’s duty to make certain that they do? If not, then what is the purpose of government in the first place?

These are not easy questions to resolve, but resolve them we must if we are to avoid a dystopian “Blade Runner meets The Jungle” future.

So as not to end this post on a total downer; it is my belief that in the long term this future will be avoided. With apologies to Abraham Lincoln- “You can oppress all of the people some of the time and some of the people all of the time, but you can’t oppress all of the people all of the time.”

Although globalization has temporarily given the conglomerates the upper hand as they abandon areas where unions are strong and move their plants to places where they can cheat their workers- the union movement has also grown global and is steadily spreading to those locales where sweatshops are the norm and those oppressed people are becoming empowered to throw off their shackles and agitate for fair treatment and decent wages. To revive the lingo of the 1960’s and 70’s—-The Man can run, but he cannot hide!

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Who is that handsome young man with the camera? Kartemquin Films co-founder Gordon Quinn would like to know! ;-)

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